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Arik, Madal (Chen, Chi-hung)
PhD Student at the Graduate Institute of Musicology, National Taiwan University
Paper Title: Panelist 2
Abstract:
Auspont, Tamara Bulicic
Sydney Conservatorium of Music
Paper Title: Becoming the Lion: Embodiment, Lineage, and Sino-sonic Belonging in Chile
Abstract:
Caitano, Joevan de Mattos
Independent Scholar
Paper Title: The Reception of Traditional Korean Music at the Darmstädter Ferienkurse: From Isang Yun to Younghi Pagh-Paan
Abstract:
Cannon, Alexander M. and Yang, Zexing
University of Birmingham
Paper Title: Ethnomusicology and Sound Studies in Ancient China: A Productive Methodological Unity
Abstract:
Chang, Yu-Hsin
Academy of Music, Macao University of Science and Technology
Paper Title: Orality and Computational Modeling: Tune-Grammar and Living Transmission of Xianshui Song in the Guangdong–Hong Kong–Mac
Abstract:
Chao, Irina
National Taiwan Normal University
Paper Title: Song Revival and Creation in the Kasavakan Pinuyumayan Community
Abstract:
Charles, Jacobs
FaceArt of Music and Technology (Shanghai)
Paper Title: Forgetting the Score: Improvisation, Memory, and the Guqin in Contemporary Practice
Abstract:
Chen, Chi-Yu
National Taiwan University
Paper Title: A Study on the Appropriation and Adaptation of Paiwan Traditional Songs through the“Voice of the Mountain Hymn Evangelic
Abstract:
Chen, Yu
Xinghai Conservatory of Music
Paper Title: Cultural Adaptation and Stylistic Transformation: The Transmission of Lingnan Guqin from Xie Daoxiu to Japanese Disciple
Abstract:
Cheung, Bernice Hoi Ching
University of Toronto
Paper Title: “Boundless Oceans, Vast Skies”: Apolitical Politics of MIRROR Fan Communities
Abstract:
Chiang, Chiao-Wen
University of Hawaiʻi at Mānoa
Paper Title: Weaving Indigenous Knowledges through Sound Relations: Community-Based Collaboration with the Tao Community
Abstract:
Chiba, Yutaka
University of Bonn / Tokyo University of the Arts
Paper Title: The Reception of Hindemith in Japan, 1925–1945: A Case of Cultural Translation of Neue Musik by Japanese Students in Ger
Abstract:
Chow, Sheryl Man-Ying
Chinese University of Hong Kong
Paper Title: Disciplining the Audience of State Ceremonial Music: Qing China and Contemporary Hong Kong
Abstract:
Chuang, Darren Sheng-Hsuan
University of Illinois at Urbana-Champaign
Paper Title: “Island’s Sunrise” Reawakens: Music, Protest, and the Pursuit of Taiwanese Sovereignty
Abstract:
Clark, Jocelyn
Pai Chai University
Paper Title: Jinu’s Bipa and Gugak’s Hyper-Iterability in the 21st Century
Abstract:
D’Evelyn, Charlotte
Skidmore College
Paper Title: Reclaiming Heritage: Fiddles and Collective Memory in Inner Mongolia, China
Abstract:
Faith Wong
National Taiwan Normal University
Paper Title: The Representation of Asian Americans through Soundtrack
Abstract:
Feng, Hsiang-Yu (Mark)
Ph.D. Candidate in Ethnomusicology University of California, Davis
Paper Title: Evaluating the Evaluators: Power and Patriarchy in Writing Underground Music Performance Reviews in Taiwan
Abstract:
Fewer, Rory
Ph.D. Candidate in Ethnomusicology University of California, Riverside
Paper Title: Original Copies: Queer Karaoke and the Vocal Palimpsest of the KTV
Abstract:
Fuchigami, Rafael Hiroshi
Tokyo College of Music
Paper Title: Music, Identity, and Migration: A Socio-musicological Reading of the Brazilian Presence in Japan
Abstract:
Gao, Geying
Xi’an Conservatory of Music
Paper Title: Who Takes Center Stage: A Canonization Analysis of Huayin Laoqiang Performance in Heritage Conservation Efforts
Abstract:
Gillan, Matt
International Christian University
Paper Title: Transcendent Sounds—The Shakuhachi and Modern Japanese Buddhism from the Meiji Era
Abstract:
Ho Chak Law
The New School
Paper Title: Translating enka: Teresa Teng and “Yu jung jeui yik”
Abstract:
Hong, Chi Yun
Independent Scholar
Paper Title: Encounters in Musicking: Traditional Sounds and Cross-Genre Curation at the Jeonju International Sori Festival
Abstract:
Howard, Keith
School of Oriental and African Studies, University of Londo
Paper Title: On the Boundaries of Korean Traditional Music (kugak)
Abstract:
Hu, Yile
The University of Hong Kong
Paper Title: Cycles of Being: A Study of the “Music Ensemble of Life and Death” Mural in the White Hall of Tholing Monastery
Abstract:
Huang, Pei-ling
Assistant Professor, Center for General Education, National Taiwan University
Paper Title: Panelist 1
Abstract:
Huebscher, Netta
University of Gothenburg
Paper Title: Home and Away: Heritage Imaginaries as Topic and Idiolect in K-pop
Abstract:
Ingram, Catherine
University of Sydney
Paper Title: Big Song, Boredom and Sustaining Kam Musical Culture
Abstract:
Kajimaru, Gaku
Kyoto University
Paper Title: Reciprocal Singing Broadcasted Online: YouTube Livestreaming of Kakeuta as Resilience
Abstract:
Kim, Hee-sun
Kookmin University, Korea
Paper Title: Reexamining the Internationalization of Korean Music during the Cold War
Abstract:
Kim, Junghyun
Seoul National University
Paper Title: Lessons for Gugak Globalization through K-pop Fusion in the Social Media–Driven Digital Age
Abstract:
Kim, Nahyung
Royal Holloway, University of London
Paper Title: Reanimating the Indigenous: Representation of Korean Shamanic Music and Dance in the Digital Media Culture
Abstract:
Kim, Sunhong
PhD Candidate in Ethnomusicology, University of Michigan
Paper Title: Panelist 4
Abstract:
Kobinata, Hidetoshi
Tokyo College of Music
Paper Title: Indian Music in Japan—Towards Integration
Abstract:
Kuo, Chien-Ping
Independent Researcher, Dingziku Cultural Association (Lanyu, Taiwan)
Paper Title: Resounding the Past: Cross-Cultural Translation and Transcultural Interpretation in Tao Song Poetry
Abstract:
Kurawaki, Masako
Ochanomizu University
Paper Title: From Sacred Space to Global Stage: The 2023 OTOBUTAI Concert
Abstract:
Lau, Yick Sau
National Taiwan University
Paper Title: From Taiwan to Nanyang: Sonic Dissemination of Taigi Popular Songs in Post-war Southeast Asia
Abstract:
Lee, Heung Sing
The University of Hong Kong
Paper Title: A Literary Motif’s Musical Interpretations: On the Origins and Evolution of the Qin Piece “Dialogue Between the Fisherma
Abstract:
Lee, Hui-Ping
Assistant Professor, Department of Music, Fukuoka International College of Music
Paper Title: Panelist 3
Abstract:
Lee, Liang
Paper Title: Bridging Digital Archives and Community Education
Abstract:
Lee, Marion
Nanyang Academy of Fine Arts
Paper Title: Anita Mui’s Musical Activism: Blending Philanthropy and Cultural Resilience in Post-1997 Hong Kong
Abstract:
Leung, Maggie
University of Hong Kong
Paper Title: Quantum Authenticity and the Heritagization of naam4 jam1 in Hong Kong: The Case of The Gong Strikes One
Abstract:
Li, Junlin
Central Conservatory of Music
Paper Title: Beyond the Score: Embodied Temporalities in the Performance of Anzaï
Abstract:
Li, Ruoyan
Shanghai Conservatory of Music
Paper Title: The Geopolitics of the Body: Transcultural Circulation and the Construction of Authenticity in Shanghai’s Tango Scene
Abstract:
Li, Wenguan
University College Cork
Paper Title: Inventing Tradition, Negotiating Authenticity—A Case Study of Zide Qinshe
Abstract:
Li, Zhuohao
University of Alberta
Paper Title: From Body to Embodiment: Chinese Calligraphy as Methodology in Somatic Practice
Abstract:
Lin, ChiaWei
National Taiwan Normal University
Paper Title: Between Patriot and Traitor: Cultural Ambivalence and Alternative Chinese Opera in Jing Wei: Feathers Against the Tides
Abstract:
Lin, Hsin-Yeh
National Taiwan University
Paper Title: Yueqin, Hengchun Folk Songs, and the Reproduction of Locality: National Construction and Sound Politics through the Lens
Abstract:
Lin, HsuanChen
Victoria University of Wellington
Paper Title: Sounding Compassion: Ritual, Emotion, and Community in Tzu Chi’s Jingzang Yanyi (《經藏演繹》)
Abstract:
Lin, Ting
National Taiwan University
Paper Title: Hidden Politics of Sound: The Moving Soundscapes of Indonesian Migrant Workers in Taiwan
Abstract:
Lin, Wei-Ya
Artistic Research Center University of Music and Performing Arts Vienna
Paper Title: Lanyu’s Swan Song (蘭嶼絕唱): A Case Study of Decolonizing Archive
Abstract:
Lin, Zhimo
Xi’an Conservatory of Music
Paper Title: Reimagining Tianqin: Popularization and Cultural Recontextualization of Zhuang Music in Guangxi, China
Abstract:
Liou, Yanfang
National Yang Ming Chiao Tung University
Paper Title: Socially Constructed Religiosity and Spirituality in Commercial Albums Related to Tibetan Buddhism Produced in Taiwan
Abstract:
Lu, Suntong
Shanghai University
Paper Title: The Sound Morphogenesis of Sacred Instruments: From Ritual to Urban Healing Practices in Cultural Reinvention
Abstract:
Lum, Jolie Sherrie
The Chinese University of Hong Kong
Paper Title: Adaptation as a Creative Method in Contemporary Ballet: A Case Study of the Hong Kong Ballet’s Production of The Butterf
Abstract:
Mohandas, Tina
Middlesex University
Paper Title: Re-sounding Heritage: Sonic Preservation and Belonging in Taiwanese Folk Metal
Abstract:
Niu, Minglei
Xi’an Conservatory of Music
Paper Title: Musical Practice and Identity Construction in Diaspora—The Case of Diwali in Xi’an, China
Abstract:
Pai, Yu Lin
Independent Scholar
Paper Title: The Reconstruction of Confucian Ritual Music in Postwar Taiwan
Abstract:
PANEL 1
Organizer: Huang, Pei-ling; Panelist: Arik, Madal (Chen, Chi-hung)｜Lee, Hui-Ping｜Kim, Sunhong｜Wilson, David
Paper Title: Hidden Infrastructures of Music Teaching: Critical Pedagogies of Global East Asian Music for the 21st Century
Abstract:
PANEL 2
Organizer: Law, Ho Chak; Panelist: Tse, Taishun | Tse, Priscilla
Paper Title: The Politics of Covering: Three Examples from LP Records and Cassette Tapes to Television Dramas and Internet Videos
Abstract:
PANEL 3
Organizer: Tai, Chun Chia
Paper Title: Negotiating Power and Identity: Gender, Coloniality, and Performance in Taiwan’s Indie Music Scenes
Abstract:
PANEL 4
Organizer: Terauchi, Naoko; Panelist: Hee-suokmin | Diau-long Shen
Paper Title: International Exchange of Traditional Music in the Postwar period East Asia
Abstract:
PANEL 5
Organizer: Chiang, Chiao-Wen; Panelist: Wei-Ya Lin | Chien-Ping Kuo
Paper Title: Resocializing Sonic Memory: Decolonizing the Archive and Reclaiming Tao Authority on History
Abstract:
PANEL 6
Organizer: Yates-Lu, Anna; Panelist: Jocelyn CLARK | KIM Junghyun
Paper Title: Sounding the Way Forward: New Pathways in Traditional Korean Music
Abstract:
PANEL 7
Organizer: Lee, Liang; Panelist: Yudaw Buya
Paper Title: From Digital Archives to Education: The Integration of the 1967 Truku Recordings into Music Education in Taiwan
Abstract:
Poguntke, Madlen
Seoul National University
Paper Title: Musicking with Machines: Cultural Negotiations of Creativity in AI-Based Music Education
Abstract:
Qi Yongling
Xi’an Conservatory of Music
Paper Title: From Parade to Chorus: Musical Fusion and Intergenerational Interaction in the Youshen Ritual of China
Abstract:
Qiu, Qingqing
University of Nottingham
Paper Title: Gesture, Structure, and Ideology: Re-hearing Chinese Piano Repertoires (1960-1980) through Digital Methods
Abstract:
Schmuckal, Colleen C.
Tokyo University of the Arts
Paper Title: Preserving, Reviving, or Modernizing a Regional Sound: The Intangible Culture of Matsudo Mansaku-Odori
Abstract:
Seow, Eugene
LASALLE College of the Arts
Paper Title: Re-centering the Decolonising Ear: Aural Fluency and Plural-Modal Listening in East-Asian-Adjacent Pedagogy
Abstract:
Shen, Diau-long
National Tsing Hua University, Taiwan
Paper Title: American Classical Music and Its Internationalization: The Boston Symphony Orchestra’s 1960 East Asian Tour and Its Rece
Abstract:
Somura, Mizuki
Kyushu University
Paper Title: Musical Influences Between Satsumabiwa and Chikuzenbiwa
Abstract:
Son, Mingyeong
Seoul National University
Paper Title: Digital Rituals: Technological Transformations of Asian Zithers in Asian American Electroacoustic Art
Abstract:
Sun, Yijia
Taipei National University of the Arts
Paper Title: An Initial Study on the Exhibition and Collection Practices of Ethnomusicology Museums
Abstract:
Tai, Chun Chia
Ph.D. in Ethnomusicology University of California, Riverside
Paper Title: “Beat the Long-haired Men!” Gossip as a Feminist Resistance in the Taiwanese Indie Music Scene
Abstract:
Tan, Xin
Nanjing Normal University
Paper Title: Skills, Perception, Culture: A Study of the Symbiosis between Vocal and Instrumental Music in Southern Chinese “Quchang”
Abstract:
Terauchi, Naoko
Kobe University, Japan
Paper Title: ‘Internationalization’ of traditional music: gagaku tours abroad in 1960-70s
Abstract:
Tse, Priscilla
The Hong Kong Academy for Performing Arts
Paper Title: DIY cover songs in cyberspace: Navigating censorship and crafting political narratives in 2020s Hong Kong
Abstract:
Tse, Taishun
The University of Hong Kong
Paper Title: Song arrangement and the sonic identity of Justice Bao across regions
Abstract:
Tsua, Charles Reuben Wing-Yue
Independent Scholar
Paper Title: A Preliminary History of the Guqin in the West: The Three Founding Qin Societies of the USA and the UK
Abstract:
Wajima, Yusuke
The University of Osaka
Paper Title: “An Exercise in Democracy”: Kishino Yuichi and the Re-Vernacularization of Bon Odori in Contemporary Japan
Abstract:
Wang, Shu Fen
National Taiwan University
Paper Title: Distribution of Keyboard Instruments in Southern Presbyterian Churches in Colonial Taiwan
Abstract:
Wang, Tianyu
McGill University
Paper Title: Negotiating Multiculturalism through Music: Listening Practices and “Tuwei” Aesthetics in the Montreal Chinese Diaspora
Abstract:
Wang, Wenming
Wuhan Conservatory of Music
Paper Title: Reconstructing the Silent Archives: AI Voice Modeling and Digital Revival of Nanyang Folk Songs
Abstract:
Wei-West, April
School of Oriental and African Studies, University of London
Paper Title: Authenticity in Digital Vocal Performance: An Online Ethnography of K-pop and J-pop Virtual Idols
Abstract:
Wilson, David
Scholar of Contemporary Taiwanese and Chinese Musical Media Harvey Mudd College, Claremont, California
Paper Title: Panelist 5
Abstract:
Wong, Tommy
Independent Scholar
Paper Title: Voices as Media for Traditional Sound: Pop Music Idols Singing Cantonese Opera Selections on TV in Hong Kong 1990s
Abstract:
Wu, Pei-Shan
Hanover University of Music, Drama and Media
Paper Title: Musicking Běntǔ: Constructing Taiwanese Identity through Music Education
Abstract:
Xiao, Tong
Yunnan Minyu University
Paper Title: On the East Asian Stage: Transmission and Transformation of the Yunnan Yao’s “Pan Wang Dance”
Abstract:
Xu, Muxuan
Tokyo University of the Arts
Paper Title: Between Utopian and Utility: Henry Cowell’s Encounters with Japan in the 1930s
Abstract:
Yamauchi, Fumitaka
National Taiwan University
Paper Title: Cross-colonial Counterpoint in Global Music History: The Recording Industry and Popular Songs in Colonial Korea and Taiw
Abstract:
Yang, Yuanzheng
The University of Hong Kong
Paper Title: Theme and Variations: The Zhang Lineage of Qin Makers in Early Seventeenth-century Suzhou
Abstract:
Yates-Lu, Anna
Seoul National University
Paper Title: Reworking the classics: Exploring changing perspectives on pansori canon
Abstract:
Yu Wang, Anna
Princeton University
Paper Title: The Trouble with Defining Banyan 板眼 (And Other Cosmopolitan Musical Concepts)
Abstract:
Yudaw Buya
Paper Title: Teaching Truku songs through structured music education approaches
Abstract:
Zhang, Haozhe
Central Conservatory of Music
Paper Title: Flamenco’s Wandering and Rebirth in the Orient: From Kerman Qeyyum’s Xinjiang Flamenco Fusion to the Cross-Cultural Mobi
Abstract:
Zhang, Lixuan
Central Conservatory of Music
Paper Title: The Sound of Order —Stage Layout, Seating Patterns, and Music in Japanese Traditional Performing Arts
Abstract:
Zhang, Wenzhao
Huazhong Normal University
Paper Title: Dialect, Memory, and Participation: The Cultural Journey of “Hanyangmen Huayuan” in Reconstructing Wuhan Identity
Abstract:
Zhang, Xinying
Central Conservatory of Music
Paper Title: The Rhythmic Structure of Gu Zhazi Used in Conjunction with the Melody in Xi’an Drum Music
Abstract:
Zheng, Xiao Li
Zhejiang Conservatory of Music
Paper Title: Fei Man’er and the Early Chinese Music Students Overseas: Survival, Adaptation, and Cultural Negotiation
Abstract:
Zhou, Zheng
Central China Normal University
Paper Title: From Confluence to Technological Empowerment: Digital Revitalization of Traditional Chinese Musical Idioms in the Works
Abstract:
Zhu, Hongqiao
University College Cork
Paper Title: Performing Power: The Interplay of Music, Ritual, and Authority in the King Cen Temple Fair
Abstract:
