Schedule at a Glance
| Day 3: July 4, 2026 | ||||||||
| Taiwan Music Institute, Taiwan Traditional Theatre Center | ||||||||
| Conference Room A | Conference Room B | Conference Room C | 2F Library | 3F Special Exhibit Room | ||||
| 09:00-10:30 Parallel Presentations |
Session 6: Cultural Revival
Chair: Wajima, Yusuke (The University of Osaka)
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Session 7: Migration and Diasporic Agency
Chair: Poguntke, Madlen (Seoul National University)
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Session 8: Heritagization of Music
Chair: Kajimaru, Gaku (Kyoto University)
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Panel 4: Resocializing Sonic Memory: Decolonizing the Archive and Reclaiming Tao Authority on History
Organizer: Chiang, Chiao-Wen (University of Hawai'i at Mānoa)
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Special Event: NTNU GIEM Music on Screen Festival
09:00
Kuku’ nu cilal《太陽光的傳承》
Director: Lin, Wan-Chen
10:00 Thirty Years: Revisiting the Traditional and Folklore Music and Dances of Chinese Ethnic Minorities: a Full-Length TV Series (Ethnic Groups in Yunnan)《三十年：回訪（中國少數民族民間傳統音樂舞蹈大系（雲南諸族）》 Director: Yan, Dujiukun
11:00 Endless Musicking《聲聲不息》 Director: Chen, You-Syuan
12:00 Sharing the Gospel with the Hakka, Michael Kittelson's and Delores Kittelson's Mission Journey in Taiwan《福音送客・珍情滿溢：邱福生與宋美珍來臺宣教記事》 Director: Hsu, Hsin-Wen
13:00 Performing with Shadow Puppetry: Puppet Manipulation, Production, and Percussion Notation《影身作戲》 Director: Feng, Pi-Ying, Chen, Hsin-Yu, and Wang, Hsing-Yu
14:00 Brought Together by the Mandolin《因曼陀林相遇的我們》 Director: Luk, Hoi-Ting
15:00 What's Going On with Suona Gang?《那幫人，搞什麼？》 Director: Hsieh, Chia-Chi, and Cai, An-Jin
16:00 Weeds Like Us《像雜草一樣》 Director: Wang, Lisi |
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Schmuckal, Colleen C.
Tokyo University of the Arts
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Preserving, Reviving, or Modernizing a Regional Sound: The Intangible Culture of Matsudo Mansaku-Odori |
Lin, Ting
National Taiwan University
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Hidden Politics of Sound: The Moving Soundscapes of Indonesian Migrant Workers in Taiwan |
Leung, Maggie
University of Hong Kong
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Quantum Authenticity and the Heritagization of naam4 jam1 in Hong Kong: The Case of The Gong Strikes One | |||
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Chao, Irina
National Taiwan Normal University
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Song Revival and Creation in the Kasavakan Pinuyumayan Community |
Niu, Minglei
Xi'an Conservatory of Music
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Musical Practice and Identity Construction in Diaspora — The Case of Diwali in Xi'an, China |
Ingram, Catherine
University of Sydney
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Big Song, Boredom and Sustaining Kam Musical Culture |
Panelist:
1. Lin, Wei-Ya (online)
(Artistic Research Center University of Music and Performing Arts Vienna) Lanyu’s Swan Song (蘭嶼絕唱): A Case Study of Decolonizing Archive 2. Chiang, Chiao-Wen
(University of Hawaiʻi at Mānoa) Weaving Indigenous Knowledges through Sound Relations: Community-Based Collaboration with the Tao Community
3. Kuo, Chien-Ping
(Independent Researcher, Dingziku Cultural Association, Lanyu, Taiwan) Resounding the Past: Cross-Cultural Translation and Transcultural Interpretation in Tao Song Poetry |
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D'Evelyn, Charlotte
Skidmore College
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Reclaiming Heritage: Fiddles and Collective Memory in Inner Mongolia, China |
Wang, Tianyu
McGill University
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Negotiating Multiculturalism through Music: Listening Practices and “Tuwei” Aesthetics in the Montreal Chinese Diaspora |
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| 10:30-11:00 | Tea Time | |||||||
| Conference Room A | Conference Room B | Conference Room C | 2F Library | |||||
| 11:00-12:30 Parallel Presentations |
Session 9: Digital Methods
Chair: Chow, Sheryl Man-Ying (Chinese University of Hong Kong)
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Session 10: The Adaptation of Music and Musician
Chair: Yu Wang, Anna (Princeton University)
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Session 11: Individual Efforts and Effects
Chair: Tse, Prsicilla
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Panel 5: International Exchange of Traditional Music in the Postwar Period East Asia
Organizer: Terauchi, Naoko (Kobe University)
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Chang, Yu-Hsin
Academy of Music, Macao University of Science and Technology
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Orality and Computational Modeling: Tune Grammar and Living Transmission of Xianshui Song in the Guangdong-Hong Kong-Macao Greater Bay Area |
Chen, Chi-Yu
National Taiwan University
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A Study on the Appropriation and Adaptation of Paiwan Traditional Songs through the “Voice of the Mountain Hymn Evangelical Group” |
Xu, Muxuan
Tokyo University of the Arts
(Online)
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Between Utopian and Utility: Henry Cowell's Encounters with Japan in the 1930s | |||
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Tan, Xin
Nanjing Normal University
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Skills, Perception, Culture: A Study of the Symbiosis between Vocal and Instrumental Music in Southern Chinese “Quchang” |
Zheng, Xiao Li
Zhejiang Conservatory of Music
(Online) |
Fei Man'er and the Early Chinese Music Students Overseas: Survival, Adaptation, and Cultural Negotiation |
Wajima, Yusuke
The University of Osaka
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“An Exercise in Democracy”: Kishino Yuichi and the Re-Vernacularization of Bon Odori in Contemporary Japan |
Panelist:
1. Terauchi, Naoko
(Kobe University) ‘Internationalization’ of traditional music: gagaku tours abroad in 1960-70s
2. Kim, Hee-sun
(Kookmin University)
Reexamining the Internationalization of Korean Music during the Cold War
3. Shen, Diau-long
(National Tsing Hua University)
American Classical Music and Its Internationalization: The Boston Symphony Orchestra’s 1960 East Asian Tour and Its Reception in South Korea, Taiwan, and Japan
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Poguntke, Madlen
Seoul National University
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Musicking with Machines: Cultural Negotiations of Creativity in AI-Based Music Education |
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Lee, Marion
Nanyang Academy of Fine Arts
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Anita Mui's Musical Activism: Blending Philanthropy and Cultural Resilience in Post-1997 Hong Kong | ||||
| 12:30-14:00 | Lunch and Networking / Executive Committee Business Meeting | |||||||
| Conference Room A | Conference Room B | Conference Room C | 2F Library | |||||
| 14:00-15:30 Parallel Presentations |
Session 12: Staging Culture
Chair: D'Evelyn, Charlotte (Skidmore College)
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Session 13: Cross-Cultural Encounters
Chair: Gillan, Matt (International Christian University)
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Session 14: Activism through Media
Chair: Schmuckal, Colleen C. (Tokyo University of the Arts)
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Panel 6: Sounding the Way Forward: New Pathways in Traditional Korean Music
Organizer: Yates-Lu, Anna (Seoul National University)
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Lin, Zhimo
Xian Conservatory of Music
(Online)
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Reimagining Tianqin: Popularization and Cultural Recontextualization of Zhuang Music in Guangxi, China |
Hong, Chi Yun
Independent Scholar
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Encounters in Musicking: Traditional Sounds and Cross-Genre Curation at the Jeonju International Sori Festival |
Bulag, Annabelle
Independent Scholar
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Living Archives in Motion: Filmmaking, Humanistic Ethnography, and Belonging in the Korean Diaspora | |||
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Lin, Chia-Wei
National Taiwan Normal University
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Between Patriot and Traitor: Cultural Ambivalence and Alternative Chinese Opera in Jing Wei: Feathers Against the Tides |
Fuchigami, Rafael Hiroshi
Tokyo College of Music
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Music, Identity, and Migration: A Socio-musicological Reading of the Brazilian Presence in Japan |
Wong, Tommy
Independent Scholar
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Voices as Media for Traditional Sound: Pop Music Idols Singing Cantonese Opera Selections on TV in Hong Kong 1990s |
Panelist:
1. Yates-Lu, Anna (Seoul National University)
Reworking the classics: Exploring changing perspectives on pansori canon
2. Clark, Jocelyn
(Pai Chai University)
Jinu’s Bipa and Gugak’s Hyper-Iterability in the 21st Century
3. Kim, Junghyun
(Seoul National University)
Lessons for Gugak Globalization through K-pop Fusion in the Social Media–Driven Digital Age
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Kurawaki, Masako
Ochanomizu University
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From Sacred Space to Global Stage: The 2023 OTOBUTAI Concert |
Kobinata, Hidetoshi
Tokyo College of Music
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Indian Music in Japan: Towards Integration |
Kajimaru, Gaku
Kyoto University
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Reciprocal Singing Broadcasted Online: YouTube Livestreaming of Kakeuta as Resilience | |||
| 15:30-16:00 | Tea Time | |||||||
| Conference Room A | Conference Room B | Conference Room C | 2F Library | |||||
| 16:00-17:30 Parallel Presentations |
Session 15: Recontextualization of Music
Chair: Kobinata, Hidetoshi (Tokyo College of Music)
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Session 16: Transcultural Reception
Chair: Yates-Lu, Anna
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Session 17: Music Cultures in the Digital Era
Chair: Chang, Yoonhee (Seoul National University)
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Panel 7: From Digital Archives to Education: The Integration of the 1967 Truku Recordings into Music Education in Taiwan
Organizer: Lee, Liang (National Taiwan Normal University)
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Lin, Hsin-Yeh
National Taiwan University
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Yueqin, Hengchun Folk Songs, and the Reproduction of Locality: National Construction and Sound Politics through the Lens of Colonial Modernity |
Chiba, Yutaka
University of Bonn / Tokyo University of the Arts
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The Reception of Hindemith in Japan, 1925–1945: A Case of Cultural Translation of Neue Musik by Japanese Students in Germany |
Wei-West, April
School of Oriental and African Studies, University of London
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Authenticity in Digital Vocal Performance: An Online Ethnography of K-pop and J-pop Virtual Idols | |||
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Sun, Yijia
Taipei National University of the Arts
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An Initial Study on the Exhibition and Collection Practices of Ethnomusicology Museums |
Caitano, Joevan de Mattos
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The Reception of Traditional Korean Music at the Darmstädter Ferienkurse: From Isang Yun to Younghi Pagh-Paan |
Kim, Nahyung
Royal Holloway, University of London
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Reanimating the Indigenous: Representation of Korean Shamanic Music and Dance in the Digital Media Culture |
Panelist:
1. Lee, Liang
(National Taiwan Normal University)Bridging Digital Archives and Community Education
2. Yudaw Buya
(Duona Elementary School (Kongadavane Indigenous Experimental Elementary School))Teaching Truku songs through Structured music Education Approaches
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Howard, Keith
School of Oriental and African Studies, University of London
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On the Boundaries of Korean Traditional Music (kugak) |
Lau, Yick Sau
National Taiwan University
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From Taiwan to Nanyang: Sonic Dissemination of Taigi Popular Songs in Post-war Southeast Asia |
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