Schedule at a Glance
| Day 4: July 5, 2026 | ||||||
| Taiwan Music Institute, Taiwan Traditional Theatre Center | ||||||
| Conference Room A | Conference Room B | Conference Room C | ||||
| 09:00-10:30 Parallel Presentations |
Session 19: Music and Politics
Chair: TBA
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Session 20: Studies of Buddhist Music
Chair: TBA
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Session 21: The Organizational Culture of Qin Societies
Chair: TBA
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Chuang, Darren Sheng-Hsuan
University of Illinois at Urbana-Champaign
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“Island’s Sunrise” Reawakens: Music, Protest, and the Pursuit of Taiwanese Sovereignty |
Lin, HsuanChen
Victoria University of Wellington
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Sounding Compassion: Ritual, Emotion, and Community in Tzu Chi's Jingzang Yanyi (《經藏演繹》) |
Tsua, Charles Reuben Wing-Yue
Independent Scholar
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A Preliminary History of the Guqin in the West: The Three Founding Qin Societies of the USA and the UK | |
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Chow, Sheryl Man-Ying
Chinese University of Hong Kong
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Disciplining the Audience of State Ceremonial Music: Qing China and Contemporary Hong Kong |
Liou, Yanfang
National Yang Ming Chiao Tung University
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Socially Constructed Religiosity and Spirituality in Commercial Albums Related to Tibetan Buddhism Produced in Taiwan |
Yang, Yuanzheng The University of Hong Kong |
Theme and Variations: The Zhang Lineage of Qin Makers in Early Seventeenth-century Suzhou | |
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Cheung, Bernice Hoi Ching
University of Toronto
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“Boundless Oceans, Vast Skies”: Apolitical Politics of MIRROR Fan Communities |
Gillan, Matt
International Christian University
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Transcendent Sounds—The Shakuhachi and Modern Japanese Buddhism from the Meiji Era |
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| 10:30-11:00 | Tea Time | |||||
| Conference Room A | Conference Room B | Conference Room C | ||||
| 11:00-12:30 Parallel Presentations |
Session 22: Embodiment in Music
Chair: TBA
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Session 23: Music in Religious and Ritual Contexts
Chair: TBA
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Session 24: New Approaches to Music Studies
Chair: TBA
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Li, Junlin
Central Conservatory of Music
(Online)
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Beyond the Score: Embodied Temporalities in the Performance of Anzaï |
Wang, Shu Fen
National Taiwan University
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Distribution of Keyboard Instruments in Southern Presbyterian Churches in Colonial Taiwan |
Seow, Eugene
LASALLE College of the Arts (Online)
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Re-centering the Decolonising Ear: Aural Fluency and Plural-Modal Listening in East-Asian-Adjacent Pedagogy | |
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Li, Zhuohao
University of Alberta
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From Body to Embodiment: Chinese Calligraphy as Methodology in Somatic Practice |
Zhu, Hongqiao
University College Cork
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Performing Power: The Interplay of Music, Ritual, and Authority in the King Cen Temple Fair |
Cannon, Alexander M. and Yang, Zexing
University of Birmingham
(Online)
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Ethnomusicology and Sound Studies in Ancient China: A Productive Methodological Unity | |
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Auspont, Tamara Bulicic
Sydney Conservatorium of Music
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Becoming the Lion: Embodiment, Lineage, and Sino-sonic Belonging in Chile |
Qi, Yongling
Xi’an Conservatory of Music,
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From Parade to Chorus: Musical Fusion and Intergenerational Interaction in the Youshen Ritual of China |
Yamauchi, Fumitaka
National Taiwan University
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Cross-colonial Counterpoint in Global Music History: The Recording Industry and Popular Songs in Colonial Korea and Taiwan | |
| 12:30-13:00 | Closing Ceremony | |||||
| 13:00-14:00 | Farewell Lunch | |||||