Schedule at a Glance
| Day 2: July 3, 2026 | |||||||
| Taiwan Music Institute, Taiwan Traditional Theatre Center | |||||||
| 08:30-09:00 |
Conference Registration | 1F Entrance
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| 09:00-10:30 |
Welcome Remarks and Keynote Speech | Conference Room A
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| 10:30-11:00 | Tea Time | ||||||
| 11:00-12:30 |
Special Event: GuoGuang Opera Company Traditional Opera Presentation + Actor Demonstration
Conference Room A
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| 12:30-14:00 | Lunch & Networking | ||||||
| Conference Room A | Conference Room B | Conference Room C | 2F Library | ||||
| 14:00-15:30 Parallel Presentations |
Session 4: Theory and Practice
Chair: TBA
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Session 5: Rethinking Heritage through Popular Music and Performing Arts
Chair: TBA
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Session 6: Representation and Analysis
Chair: TBA
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Panel 3: Negotiating Power and Identity: Gender, Coloniality and Performance in Taiwan's Indie Music Scenes
Organizer: Tai, Chun Chia
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Charles, Jacobs
FaceArt of Music and Technology (Shanghai)
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Forgetting the Score: Improvisation, Memory, and the Guqin in Contemporary Practice |
Huebscher, Netta
University of Gothenburg
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Home and Away: Heritage Imaginaries as Topic and Idiolect in K-pop |
Zhang, Xinying
Central Conservatory of Music
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The Rhythmic Structure of Gu Zhazi Used in Conjunction with the Melody in Xi'an Drum Music | ||
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Lee, Heung Sing
The University of Hong Kong
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A Literary Motif's Musical Interpretations: On the Origins and Evolution of the Qin Piece "Dialogue Between the Fisherman and the Woodcutter " |
Mohandas, Tina
Middlesex University
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Re-sounding Heritage: Sonic Preservation and Belonging in Taiwanese Folk Metal |
Qiu, Qingqing
University of Nottingham (online)
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Gesture, Structure, and Ideology: Re-hearing Chinese Piano Repertoires (1960-1980) through Digital Methods |
Panelist:
1. Tai, Chun Chia
2. Fewer, Rory
3. Feng, Hsiang-Yu (Mark)
Discussant:
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Yu Wang, Anna
Princeton University
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The Trouble with Defining Banyan 板眼 (And Other Cosmopolitan Musical Concepts) |
Lum, Jolie Sherrie
The Chinese University of Hong Kong
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Adaptation as a Creative Method in Contemporary Ballet: A Case Study of the Hong Kong Ballets Production of The Butterfly Lovers (2024) |
Faith Wong
National Taiwan Normal University
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The Representation of Asian Americans through Soundtrack | ||
| 15:30-16:00 | Tea Time | ||||||
| 16:00-17:30 |
Special Event: Introduction to NCTFA/Taiwan Music Institute
Conference Room A
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| 18:00-22:00 |
Special Ticketed Event: Backstage Tour and Performance by the GuoGuang Opera Company | NCTFA
18:00: Gather at the Main Theatre, NCTFA
18:00-18:30: Pre-show Tour + Backstage Patriarch Shrine Tour.
18:50-19:30: Audience Admission
19:30-22:00: Official Performance, Play Title: Mr. Goodman Dumps His Wife (王有道休妻)
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