Schedule at a Glance
| Day 2: July 3, 2026 | |||||||
| Taiwan Music Institute, Taiwan Traditional Theatre Center | |||||||
| 08:30-09:00 |
Conference Registration | B1 Entrance
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| 09:00-10:30 |
Welcome Remarks and Keynote Speech | Conference Room A
Keynote Speaker: Professor Stock, Jonathan P.J. (University College Cork) Title: Rethinking Cosmopolitanism in East Asian Musical Contexts |
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| 10:30-11:00 | Tea Time | ||||||
| 11:00-12:30 |
Special Event: GuoGuang Opera Company Traditional Opera Presentation + Actor Demonstration
Conference Room A
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| 12:30-14:00 | Lunch & Networking | ||||||
| Conference Room A | Conference Room B | Conference Room C | 2F Library | ||||
| 14:00-15:30 Parallel Presentations |
Session 4: Theory and Practice
Chair: Chiang, Chiao-Wen (University of Hawai'i at Mānoa)
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Session 5: Rethinking Heritage through Popular Music and Performing Arts
Chair: Chen, Ying-hsien (Feng Chia University)
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Panel 3: Negotiating Power and Identity: Gender, Coloniality and Performance in Taiwan's Indie Music Scenes
Organizer: Tai, Chun Chia (University of California, Riverside)
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Charles, Jacobs
耳目 ERMu Labs, Shanghai
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Forgetting the Score: Improvisation, Memory, and the Guqin in Contemporary Practice |
Huebscher, Netta
University of Gothenburg
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Home and Away: Heritage Imaginaries as Topic and Idiolect in K-pop |
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Lee, Heung Sing
The University of Hong Kong
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A Literary Motif's Musical Interpretations: On the Origins and Evolution of the Qin Piece "Dialogue Between the Fisherman and the Woodcutter " |
The Chinese University of Hong Kong |
Adaptation as a Creative Method in Contemporary Ballet: A Case Study of the Hong Kong Ballets Production of The Butterfly Lovers (2024) |
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Panelist:
1. Tai, Chun Chia
(University of California, Riverside) “Beat the Long-haired Men!” Gossip as a Feminist Resistance in the Taiwanese Indie
Music Scene 2. Fewer, Rory
(University of California, Riverside)
Original Copies: Queer Karaoke and the Vocal Palimpsest of the KTV
3. Feng, Hsiang-Yu (Mark)
(University of California, Davis) Evaluating the Evaluators: Power and Patriarchy in Writing Underground Music
Performance Reviews in Taiwan |
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Yu Wang, Anna
Princeton University
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The Trouble with Defining Banyan 板眼 (And Other Cosmopolitan Musical Concepts) |
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| 15:30-16:00 | Tea Time | ||||||
| 16:00-17:30 |
Special Event: Introduction to National Center for Traditional Arts/Taiwan Music Institute
Conference Room A
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| 18:00-22:00 |
Special Ticketed Event: Backstage Tour and Performance by the GuoGuang Opera Company | NCFTA
18:00: Gather at the Main Theatre, NCFTA
18:00-18:30: Pre-show Tour + Backstage Patriarch Shrine Tour.
18:50-19:30: Audience Admission
19:30-22:00: Official Performance, Play Title: Mr. Goodman Dumps His Wife (王有道休妻)
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